2. 9.—2. 10. 2011

I love you, but... Hate can also produce (photographic) imagination.

A mirror. A look at one's own face. Identification with the image in the mirror, the initial fascination followed by doubts: Is it really me? The mirror – and also photography in modern times, which is often symptomatically considered to be the image of reality, even though in a simplified way – is the primary source in Western society, even if superficial, of the recognition of one's own self. French psychoanalyst Jacques Lacan considered the human recognition of one's own self in the mirror as being a history-making stage that means a fundamental revolution in the mental development of a child and, at the same time, establishes a libidinous relationship with one's own and a stranger's physical image. The myth of Narcissus also confirms the key and forming role of a mirror in Western culture.
The exhibition of Štěpánka Šimlová entitled I love you, but… is about a mirror. However, much like the photographed mirrors with hand-written messages on them are not images of self-love (we could say that they reveal people as objects and sources of non-love), the artist also shows photography as a medium of camouflage and a (desired? temporary?) loss of identity rather than an imprint or a medium of representation. Similarly to blurred and dream-like photo collages, the formally clean photographs of Christmas decorations – which, however, evoke hallucinatory imaginations with their minimalist coldness rather than a family idyll – do not reveal any clear connections with the mirror photographs or with a vision of reality. It is an intimate and intuitive composition of fragments of images that are difficult to capture. 

The common, clichéd, and, in a certain sense, kitschy name of the exhibition was chosen deliberately by the artist. She is not concerned with calculated references to ambivalence and the conditionality of human emotion – the sentence has been pronounced in literature or in theatre a thousand times and almost every one of us has heard it once in their lives – or with a confession of a traumatized, disappointed, and suffering soul; the viewer is consistently left in the dark as to whether the title sentence is said by the one who is leaving or by the one who is being left. The initially desperate pronouncements are not an introduction to a grief-ridden play but to a suggestive, even if ambiguous, play of images born from webs of dreams, memories, and imaginings.
Martina Pachmanová

Gallery (8)

Fotogalerie z vernisáže (5)


Your comment:

CV — Štěpánka Šimlová

Born on 16 October 1966

1989 - 1996
Academy of Fine Arts in Prague
Trent University, Nottingham, UK
Rijksakademie von Beeldende Kunsten, Amsterdam

Residence/study visits (exceeding 3 months in duration)
Cité des Artes, Paris, France
Tin Factory, Bergen, Norway
TENT, Rotterdam, The Netherlands
18th Street Arts Center, Los Angeles, US

Solo exhibitions
Neon, Karlín Studios, Prague
Air of the Thames, Hunt Kastner Gallery, Prague
Master League, with Ivan Vosecký, Městská galerie ve Štemberku
Tisloki, Karlín Studios, Praha
Metropolitan Reality, Alšova Jihočeská galerie, České Budějovice
The Little Prayers, Consulate of the Czech Republic to the US, Los Angeles
Tschechische Doerfen – a mutual project with Achim Mohne,
Goethe Institute in Prague, in cooperation with the Futura Gallery
Shopping and Something, Galerie U Bílého jednorožce, Klatovy
A Couple of Days, Raketa Gallery, Ústí nad Labem
I Am Terribly Sorry..., Moravská galerie Brno, Pražák Palace, Brno
Sweet Dreams on Bitter Nights, Prague City Gallery, Prague
You Have to Come Back One Day, Galerie Černý pavouk, Ostrava
As a Dream, Muzeum umění, Ostrava

Collective exhibitions (selected)
After the Velvet, Prague City Gallery, Dům u Prstenu, Prague
Tschechische Fotografie des 20. Jahrhunderts,
Kunst- und Ausstellungshalle, Bonn
The Night Walkers, Městská galerie v Hradci Králové
30% Discount, Špála Gallery, Prague
HDP, Prague City Gallery, Prague
Open Studios, 18th Street Arts Center, Los Angeles
Allied, National Gallery in Prague, Veletržní palác, Prague
Czech and Slovak Photography of the 1980s and 1990s, Prague City Gallery, Prague
EXPO, Aisha, Japan
Certain Traces - Barnsdall, LA Municipal Art Gallery, Los Angeles
Prague - Los Angeles Dialogue, Post Gallery, Los Angeles
Prague - Los Angeles Dialogue, Sovovy mlýny, Holešovice, Prague
Retrospect, Dům pánů z Kunštátu, Brno
The Youngest Art, National Gallery in Prague, Veletržní Palác, Prague
Prague Biennale, National Gallery in Prague, Veletržní Palác, Prague
Ostensiv, Barakk Gallery, Berlin, Germany
Border Life, Halle Gallery, Vienna, Austria
City of Women, Ljubljana, Slovenia
Bohemian Birds, Gallerie Dresdner Bank, Frankfurt, Germany
CONTACT USJosef Sudek Studio
(Ateliér Josefa Sudka)
Újezd 30
Prague 1, 110 00
Czech Republic

Open daily except
Monday 12 AM - 6 PM

Admission 10 CZK
free for students of art schools

We use cookies to give you the best possible experience on our website.          Ok, don’t show again.